Transnational Cinema

Francine Masiello, \"Puig-Donoso-Ripstein: la historia de un deseo transformado\"

Critical Theory / Cultural Studies / Latin American Studies / Aesthetics / Literature and cinema / Literary Criticism / Cultural Theory / Identity (Culture) / Culture / Literary Theory / Argentina / Chile / Cinema / Latin American Cultural Studies / Latin American Cinema / Transnational Cinema / Estudios Culturales / Cinema Studies / Literatura argentina / Estudios Latinoamericanos / América Latina / Literatura española e hispanoamericana / Manuel Puig / Cine y literatura / Literaturas Hispanoamericanas / Ripstein Arturo / Literary Criticism / Cultural Theory / Identity (Culture) / Culture / Literary Theory / Argentina / Chile / Cinema / Latin American Cultural Studies / Latin American Cinema / Transnational Cinema / Estudios Culturales / Cinema Studies / Literatura argentina / Estudios Latinoamericanos / América Latina / Literatura española e hispanoamericana / Manuel Puig / Cine y literatura / Literaturas Hispanoamericanas / Ripstein Arturo

El film como estudio historiografico

European Cinema / Literature and cinema / Historiography / Digital Cinema / Spanish Cinema / Japanese Cinema / Italian Cinema / Puerto Rico / American Cinema / Hindi Cinema / Cinema / History of Historiography / Art and Independent Cinema / Puerto Rican Literature / Cinematography / Puerto Rican Studies / Etnohistoria / Transnational Cinema / Cinema Studies / España / Puerto Rican History / Historiografia, História Moderna e Contemporânea, Teoria da História / Historiografía guatemalteca y centroamericana / Historiografia / Historiografia Digital / Historia Contemporánea de España / Historiografía / Literatura hispanoamericana y puertorriqueña / Historia De Puerto Rico / Cinema and Television / Película Cinematográfica / Historiografía Latina / Japanese Cinema / Italian Cinema / Puerto Rico / American Cinema / Hindi Cinema / Cinema / History of Historiography / Art and Independent Cinema / Puerto Rican Literature / Cinematography / Puerto Rican Studies / Etnohistoria / Transnational Cinema / Cinema Studies / España / Puerto Rican History / Historiografia, História Moderna e Contemporânea, Teoria da História / Historiografía guatemalteca y centroamericana / Historiografia / Historiografia Digital / Historia Contemporánea de España / Historiografía / Literatura hispanoamericana y puertorriqueña / Historia De Puerto Rico / Cinema and Television / Película Cinematográfica / Historiografía Latina

Visiones de masas en el cine de entreguerras

Avant-Garde Cinema / Literature and cinema / Cinema / Siegfried Kracauer / Transnational Cinema / Sergei Eisenstein / Masses, Crowds, Deindividuation / Frankenstein Film / Sergei Eisenstein / Masses, Crowds, Deindividuation / Frankenstein Film

De lo vernacular y el World Cinema en Biutiful

Cinema / Transnational Cinema / Cinema Studies

LA POSIBILIDAD DEL REGRESO (DEL EXILIO) A TRAVÉS DE LA EXPERIENCIA ESTÉTICA

European Cinema / Literature and cinema / Early Cinema / American Cinema / Cinema / Transnational Cinema / Cinema Studies / Political cinema / Película Cinematográfica / Transnational Cinema / Cinema Studies / Political cinema / Película Cinematográfica

Poniente (2002) de Chus Gutierrez. En España no hay racismo

Cinema / Transnational Cinema / Cinema Studies / World Cinema / Mediterranean Cinema / Rural in the Cinema / Película Cinematográfica / Racism and Cinema / Rural in the Cinema / Película Cinematográfica / Racism and Cinema

“La trilogía autobiográfica de Takeshi Kitano. Deseo autográfico de ser un artista (libre)”

Avant-Garde Cinema / Digital Cinema / Japanese Cinema / Cinema / Transnational Cinema / Cinema Studies / Cinema and Television / Contemporary Japanese Cinema / Counter-Culture In Japanese Cinema / Violence in japanese cinema / Cinema Studies / Cinema and Television / Contemporary Japanese Cinema / Counter-Culture In Japanese Cinema / Violence in japanese cinema

A Puerto Rican Cinema Produced by a Foreign Lens: Female Roles in Maruja and El otro Camino

National Cinemas / Transnational Cinema / Caribbean Cinema / Latin American and Caribbean Cinema and Literature

Jaime García Saucedo, \"La escultura de lo fluido. Literatura colombiana en el cine\"

History / Latin American Studies / Comparative Literature / Philosophy / Humanities / Avant-Garde Cinema / Social Sciences / Literature / Literature and cinema / Colombia / Literary Criticism / Literary Theory / Latin American literature / Cinema / Colombian Literature / Cinematography / Literatura Latinoamericana / Transnational Cinema / Literatura / Cinema Studies / Latin America / Literatura colombiana / Latinoamerica / América Latina / Cine Latinoamericano / Colombian cinema / Cinema and Television / Ensayos Cine / Avant-Garde Cinema / Social Sciences / Literature / Literature and cinema / Colombia / Literary Criticism / Literary Theory / Latin American literature / Cinema / Colombian Literature / Cinematography / Literatura Latinoamericana / Transnational Cinema / Literatura / Cinema Studies / Latin America / Literatura colombiana / Latinoamerica / América Latina / Cine Latinoamericano / Colombian cinema / Cinema and Television / Ensayos Cine

La tensión entre “alta cultura” y “cultura de masas” en la representación del mundo del ballet en un filme argentino de la época del primer peronismo: un análisis de Pájaros de cristal (1955) de Ernesto Arancibia

Dance Studies / Dance History / Cinema / Peronism / Argentinian Film / Transnational Cinema / Ballet / Peronismo / Transnational Cinema / Ballet / Peronismo

RAÚL RUIZ: CINE Y ONTOLOGÍA DE LO FANTÁSTICO. TERRITORIOS, POLÍTICAS ESTÉTICAS Y POLISEMIA VISUAL

Critical Theory / Sociology / Cultural Studies / Media Sociology / Political Sociology / Social Theory / Sociology of Culture / Visual Sociology / Psychology / Cognitive Psychology / Psychoanalysis / Social Psychology / Optics / Musical Composition / Game Theory / Anthropology / Philosophy / Philosophy of Mind / Philosophy Of Language / Political Philosophy / Ethics / Visual Studies / Art History / Visual Anthropology / Performing Arts / Theatre Studies / Social Anthropology / Cultural Sociology / Design / Art / Theatre History / Architecture / Art Theory / Visualization / Film Studies / Film Theory / French Cinema / European Cinema / Literature / Existential Phenomenological Psychotherapy / Film Music And Sound / Narrative / Postdramatic theatre / Sociology of Crime and Deviance / Sociology of Knowledge / Contemporary Art / Literature and cinema / Visual Culture / Dramaturgy / Film Analysis / Educational Psychology / Documentary (Film Studies) / Political Anthropology / Social and Cultural Anthropology / Poetry / Arts Education / Cultural Theory / Visual Semiotics / Mass Communication / Digital Cinema / Graphic Design / Hermeneutics / Phenomenology / Philosophy of Film / Philosophy of Art / Visual perception / Performance Art / Continental Philosophy / Spanish Cinema / Media Arts / Product Design / Scenography / Poetics / Culture / Theater and film / Literary Theory / Film Adaptation / Theory of the Novel / Anthropology Of Art / Narrative Methods / Social Media / Sociology of Arts / Translation of Poetry / Franciscan Studies / Visual Communication / Francophone Literature / Film History / Modern Poetry / History of Art / Literature and Visual Arts / Architectural Theory / Hermeneutics and Narrative / Narrative and Identity / Decorative Arts / Arts / Scenario planning / Moral Philosophy / Narrative Analysis / Cinema / Marcel Proust / Contemporary Poetry / Narrative Theory / Art and Independent Cinema / Architecture and Phenomenology / Documentary Film / Novel / Cultural Anthropology / Film Aesthetics / Phenomenology of Space and Place / Art Education / Visual Arts / Filosofia Del Lenguaje / Chilean Politics / Theatre / Film / Cinematography / Film and Media Studies / Cognitive Poetics / Fine Arts / Rethoric / Mass media / Transnational Cinema / Filosofía Política / Mass Communication and New Media / Etnography / Sociologia / Cinema Studies / Comunicacion Social / Estética / Filosofía / Liberal arts / ARTE DISEÑO & COMUNICACION VISUAL / Estetica / Comunicación y cultura / Patrimonio Cultural / Artes / Filosofia do Direito / Cine / Historia del Arte / Comunication and New / Sociología / Letras / Littérature Française / Journalism And Mass communication / Raoul Ruiz / Visual Comunication / Raul Ruiz / Teoria E Critica De Arte / Filosofía del arte / Arts and Humanities / Peliculas / Artes Visuais / Festival de Cinema / Cahiers du cinema / Filosofía y Letras -UANL / Cinema Theory / Cinema and Television / Artes visuales / Adolfo Vasquez Rocca / Theories of Mass Communication / Tecnologias da Informação e da Comunicação (TIC) na Educação / Poética Y Retórica / Festival De Cine Cannes / Película Cinematográfica / Visual Anthropology and Sociology / Filosofia / Teoría Del Conflicto Central / Polisemia / Social Theory / Sociology of Culture / Visual Sociology / Psychology / Cognitive Psychology / Psychoanalysis / Social Psychology / Optics / Musical Composition / Game Theory / Anthropology / Philosophy / Philosophy of Mind / Philosophy Of Language / Political Philosophy / Ethics / Visual Studies / Art History / Visual Anthropology / Performing Arts / Theatre Studies / Social Anthropology / Cultural Sociology / Design / Art / Theatre History / Architecture / Art Theory / Visualization / Film Studies / Film Theory / French Cinema / European Cinema / Literature / Existential Phenomenological Psychotherapy / Film Music And Sound / Narrative / Postdramatic theatre / Sociology of Crime and Deviance / Sociology of Knowledge / Contemporary Art / Literature and cinema / Visual Culture / Dramaturgy / Film Analysis / Educational Psychology / Documentary (Film Studies) / Political Anthropology / Social and Cultural Anthropology / Poetry / Arts Education / Cultural Theory / Visual Semiotics / Mass Communication / Digital Cinema / Graphic Design / Hermeneutics / Phenomenology / Philosophy of Film / Philosophy of Art / Visual perception / Performance Art / Continental Philosophy / Spanish Cinema / Media Arts / Product Design / Scenography / Poetics / Culture / Theater and film / Literary Theory / Film Adaptation / Theory of the Novel / Anthropology Of Art / Narrative Methods / Social Media / Sociology of Arts / Translation of Poetry / Franciscan Studies / Visual Communication / Francophone Literature / Film History / Modern Poetry / History of Art / Literature and Visual Arts / Architectural Theory / Hermeneutics and Narrative / Narrative and Identity / Decorative Arts / Arts / Scenario planning / Moral Philosophy / Narrative Analysis / Cinema / Marcel Proust / Contemporary Poetry / Narrative Theory / Art and Independent Cinema / Architecture and Phenomenology / Documentary Film / Novel / Cultural Anthropology / Film Aesthetics / Phenomenology of Space and Place / Art Education / Visual Arts / Filosofia Del Lenguaje / Chilean Politics / Theatre / Film / Cinematography / Film and Media Studies / Cognitive Poetics / Fine Arts / Rethoric / Mass media / Transnational Cinema / Filosofía Política / Mass Communication and New Media / Etnography / Sociologia / Cinema Studies / Comunicacion Social / Estética / Filosofía / Liberal arts / ARTE DISEÑO & COMUNICACION VISUAL / Estetica / Comunicación y cultura / Patrimonio Cultural / Artes / Filosofia do Direito / Cine / Historia del Arte / Comunication and New / Sociología / Letras / Littérature Française / Journalism And Mass communication / Raoul Ruiz / Visual Comunication / Raul Ruiz / Teoria E Critica De Arte / Filosofía del arte / Arts and Humanities / Peliculas / Artes Visuais / Festival de Cinema / Cahiers du cinema / Filosofía y Letras -UANL / Cinema Theory / Cinema and Television / Artes visuales / Adolfo Vasquez Rocca / Theories of Mass Communication / Tecnologias da Informação e da Comunicação (TIC) na Educação / Poética Y Retórica / Festival De Cine Cannes / Película Cinematográfica / Visual Anthropology and Sociology / Filosofia / Teoría Del Conflicto Central / Polisemia

Construcción de la identidad del terrorismo en el cine; el caso de \"Munich\", \"United 93\" y \"Paradise Now\"

Cultural Studies / Terrorism / Image Analysis / Cinema / Transnational Cinema / Terrorismo

LA RE-CONSTRUCCIÓN IMAGINARIA DE LO REAL EN CAMPOS DE NÍJAR Y LAS HURDES. TIERRA SIN PAN

Film Studies / European Cinema / Documentation / Literature and cinema / Film Analysis / Documentary (Film Studies) / Philosophy of Film / Film Genre / Documentary Cinema / Film Adaptation / Film History / Film Semiotics / Film and History / Documentary Photography / Cinema / Documentary Film / Theory of Documentary / Film Aesthetics / Film / Documentary Filmmaking / Film and Media Studies / Luis Buñuel / Transnational Cinema / ethnography, comparative visual media, humanitarianism, human rights, biopolitics, Marxist critique, postcolonial studies, documentary studies, critical theory and cultural studies, posthumanism, animal studies, discourses of the child / Cinema Studies / European and World Cinema / Documental / Cine documental / Las Hurdes / L. Buñuel / European Cinemas / obra completa de Luis Buñuel / Documentary (Film Studies) / Philosophy of Film / Film Genre / Documentary Cinema / Film Adaptation / Film History / Film Semiotics / Film and History / Documentary Photography / Cinema / Documentary Film / Theory of Documentary / Film Aesthetics / Film / Documentary Filmmaking / Film and Media Studies / Luis Buñuel / Transnational Cinema / ethnography, comparative visual media, humanitarianism, human rights, biopolitics, Marxist critique, postcolonial studies, documentary studies, critical theory and cultural studies, posthumanism, animal studies, discourses of the child / Cinema Studies / European and World Cinema / Documental / Cine documental / Las Hurdes / L. Buñuel / European Cinemas / obra completa de Luis Buñuel

Los avatares de Lorelei: La identidad nacional de Marlene Dietrich desde Weimar hasta la Segunda Guerra Mundial

Race and Ethnicity / Whiteness Studies / Feminist film theory / Transnational Cinema / Stardom and Celebrity

Brad S. Epps, \"La insoportable levedad de los huesos: Memoria, emoción, y pedagogía en \'Chile, la memoria obstinada\' y \'Nostalgia de la luz\' de Patricio Guzmán\"

History / Cultural History / Sociology / Cultural Studies / Latin American Studies / Comparative Literature / Anthropology / Philosophy / Media and Cultural Studies / Cultural Sociology / Social Sciences / Film Studies / Film Theory / Violence / Literature / Literature and cinema / Visual Culture / Film Analysis / Latin American politics / Social and Cultural Anthropology / Literary Criticism / Cultural Theory / Culture / Literary Theory / History of Chile / Memory Studies / Cultural Memory / Latin American literature / Chile / Latin American History / Cinema / Cultural Anthropology / Chilean Politics / Latin American Cinema / Cinematography / Literatura Latinoamericana / Film and Media Studies / Transnational Cinema / Historia / Literatura / Sociologia / Cinema Studies / Latin America / Critica letteraria / Chilean Literature / Sociología / Letras / Letteratura / Littérature / Literatura chilena / Latinoamerica / Littérature Comparée / América Latina / Teoria Della Letteratura / Chilean Social and Cultural History / Memoria / Chilean Cinema / Letterature comparate / Historia de Chile / Instituto de Letras / Antropologia cultural / Cinematografia / História em Filmes / Filosofía y Letras -UANL / Patricio Guzman / Cine Chileno / Faculdade De Letras Da Universidade Do Porto / Película Cinematográfica / Patricio Guzmán - cine e historia / Faculdade de Letras / Facultad de Filosofía y Letras UNAM / Comparative Literature / Anthropology / Philosophy / Media and Cultural Studies / Cultural Sociology / Social Sciences / Film Studies / Film Theory / Violence / Literature / Literature and cinema / Visual Culture / Film Analysis / Latin American politics / Social and Cultural Anthropology / Literary Criticism / Cultural Theory / Culture / Literary Theory / History of Chile / Memory Studies / Cultural Memory / Latin American literature / Chile / Latin American History / Cinema / Cultural Anthropology / Chilean Politics / Latin American Cinema / Cinematography / Literatura Latinoamericana / Film and Media Studies / Transnational Cinema / Historia / Literatura / Sociologia / Cinema Studies / Latin America / Critica letteraria / Chilean Literature / Sociología / Letras / Letteratura / Littérature / Literatura chilena / Latinoamerica / Littérature Comparée / América Latina / Teoria Della Letteratura / Chilean Social and Cultural History / Memoria / Chilean Cinema / Letterature comparate / Historia de Chile / Instituto de Letras / Antropologia cultural / Cinematografia / História em Filmes / Filosofía y Letras -UANL / Patricio Guzman / Cine Chileno / Faculdade De Letras Da Universidade Do Porto / Película Cinematográfica / Patricio Guzmán - cine e historia / Faculdade de Letras / Facultad de Filosofía y Letras UNAM

El cine español según Goebbels. Apuntes sobre la versión alemana de Carmen la de Triana

Politics and Film / Transnational Cinema / Filmhistory, Filmtheory
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